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It should re-introduce the contrast and highlights that sometimes get lost when shooting with a flat image. Color CorrectionĬolor correction is the process of adjusting any strange tints or hues that might have been picked up during the shoot, to make a flat image you can then apply a grade to. A lot of the process is founded in color theory, but before we dive into color grading too deeply, it’s important to color correct your image first. Part 1: DaVinci Resolve Color Grading WorkflowsĬolor grading doesn’t have to be as intimidating as it sounds, especially when using a straightforward application like DaVinci Resolve.
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The second secret to cinematic color is to prioritize separation over saturation.
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Too often, we’ll pump in some contrast, get an image that looks blown-out or overly-crunchy, and then immediately back off on the adjustment.īut if you can stick with high contrast long enough to finesse your exposure, you’ll get a very different result, and find yourself well on your way to a more cinematic image. This isn’t always easy, because, by its nature, a higher-contrast look requires more precision with where we set our exposure. The first secret to cinematic color is to embrace strong contrast.
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